- #5D MARK III VS 6D IMAGE QUALITY MOVIE#
- #5D MARK III VS 6D IMAGE QUALITY 720P#
- #5D MARK III VS 6D IMAGE QUALITY 1080P#
- #5D MARK III VS 6D IMAGE QUALITY MANUAL#
- #5D MARK III VS 6D IMAGE QUALITY FULL#
The bitrate for 1080p is approximately 38 megabits per second (4.8 MByte/s), while for SD it is approximately 17 megabits per second (2.2 MByte/s). Video and audio is recorded to QuickTime (MOV) container files with H.264/MPEG-4 (Base Profile L5) compressed video and uncompressed 48 kHz/16-bit PCM audio. The camera also imposes a hard maximum clip length of 29 minutes 59 seconds if the 4 GB limit has not already been reached. These limits stem from the 4 GB maximum file size supported by the FAT32 filesystem format used on Compact Flash cards. Video clips can be up to 4 GB in size, approximately 12 minutes of 1080p HD or 24 minutes of SD (640 x 480) footage.
The 21 megapixel sensor is downsampled to HD resolution by only using every third line and 4:2:0 chroma subsampling, leading to concern about Moiré patterns in recorded video. This large sensor allows videos to be recorded with very shallow depth of field for a " film look". The 16:9 aspect ratio portion of the sensor used in video mode is similar in sensitive area to a VistaVision 8/35 frame. The Canon PowerShot SX 1 IS followed with 1080p video in a bridge digital camera soon after. Its release started the trend of "DSLR revolution", significantly changing the world of independent filmmaking for upcoming years.
#5D MARK III VS 6D IMAGE QUALITY MOVIE#
With these features, Canon 5D Mark II was able to compete with high-end digital movie cameras available that time.
#5D MARK III VS 6D IMAGE QUALITY 720P#
While the Nikon D90 was the first DSLR to shoot 720p high-definition video, and the Panasonic GH1, a MILC, was capable of 1080p/24 recording before the 5D Mark II officially gained this capability, the latter was the first full-frame DSLR to feature 1080p video recording. Video recording Ī 5D Mark II with follow focus, matte box and other cinematography equipment The digital exposure push ISO settings produce more noise than the native settings with a reduced dynamic range, and the digital exposure pull ISO settings produce less noise than the native settings. The digital exposure push ISO is 1/3 stop greater than the native ISO, and a digital exposure pull ISO is 1/3 stop less than the native ISO. The camera has native ISO values of 100 multiplied by a power of 2 other ISO values are obtained by a digital exposure push (ISO values that are multiples of 125) or digital exposure pull (ISO values that are multiples of 160). The 5D Mark II's "Battery Info" screen can track battery health and shooting history for up to six LP-E6 batteries. Each battery contains a microchip with a unique identifier for reporting charge status and battery health for display on the camera. The lithium-ion battery for the 5D Mark II (LP-E6) has an 1800 mAh capacity. Still photography during video recording is possible, but the camera suspends recording video until the final still frame is captured. The 5D Mark II is the first camera in the EOS line to provide video recording functions.
#5D MARK III VS 6D IMAGE QUALITY FULL#
Movie recording full HD at 1920 × 1080 and SDTV at 640 × 480 resolution.On 24 December 2012, Canon Japan moved the camera to their "Old Products" list, effectively discontinuing the camera. On 2 March 2012, Canon announced the camera's successor: the Canon EOS 5D Mark III. It succeeds the EOS 5D and was announced on 17 September 2008. The Canon EOS 5D Mark II is a 21.1 effective megapixel full-frame CMOS digital single-lens reflex camera made by Canon, the first Canon EOS camera to have video recording capabilities. Optical pentaprism with 98% coverage and electronic ( Live View)ģ.0 inches (76 mm), 640 × 480 (921,600 dots)īG-E6 grip allows use of 6 AA cells, a single LP-E6 or two LP-E6 batteries
#5D MARK III VS 6D IMAGE QUALITY MANUAL#
Digital single-lens reflex camera from Canonĥ,616 × 3,744 (21.1 effective megapixels)ġ00–6400 (expansion from 50 up to 25,600)įull auto, programmed, shutter priority, aperture priority, manual
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